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A series of paintings from the Suburban Baths at Pompeii, discovered in 1986 and published in 1995, presents erotic scenarios that seem intended "to amuse the viewer with outrageous sexual spectacle," including a variety of positions, oral sex, and group sex featuring male–female, male–male, and female–female relations.
The décor of a Roman bedroom could reflect quite literally its sexual use: the Augustan poet Horace supposedly had a mirrored room for sex, so that when he hired a prostitute he could watch from all angles.
It has sometimes been assumed that "unlimited sexual license" was characteristic of ancient Rome; Verstraete and Provençal express the opinion that this perspective was simply a Christian interpretation: "The sexuality of the Romans has never had good press in the West ever since the rise of Christianity.
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