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The basse-taille and the proper bass were commonly confused because their roles were sometimes sung by singers of either actual voice part.
The bel canto style of vocalism which arose in Italy in the early 19th century supplanted the castrato-dominated opera seria of the previous century.
And again leading to vicious cycles, this can lead to instances where the protection is so restrictive to legitimate users that they might decide to pirate the game even when they intended to buy in the first place just to play a version that bypasses the whole thing.
) in operatic music, but can be extended at either end.
or decide "screw it" and download a cracked, pirate version, thus leading to the exact opposite of what the publisher intended.
This has resulted in something of a vicious cycle between game publishers and unlicensed copying ("piracy"), where when one copy-protection system is cracked or beaten, the publisher must switch to (or create) another, stronger method, which is itself beaten (sometimes quickly), and so on. In the early days, the physical game media itself (game cartridges, CD-ROM) was sufficient to ensure that it was a legal copy, on the grounds that the equipment to produce them was difficult (if not impossible) for the general public to obtain.
It led to the baritone being viewed as a separate voice category from the bass.
Traditionally, basses in operas had been cast as authority figures such as a king or high priest; but with the advent of the more fluid baritone voice, the roles allotted by composers to lower male voices expanded in the direction of trusted companions or even romantic leads—normally the province of tenors.
Commentators praised his voice for its beauty, flexibility and smooth tonal emission, which are the hallmarks of a bel canto singer.Figaro in Il barbiere is often called the first true baritone role.